Reading and Writing in a Winter Wonderland

Hello!  I'm so happy to join this fine group of educators to share the love of winter reading.  If you know anything about me, you know I can't talk about reading without talking about writing.  In this post, I'll briefly demonstrate how to use poetry as a context for: engaging repeated readings (a new, exciting, multi-modal strategy), inspiring poetry writing, and teaching grammar.  The strategies are universal and can be used with any poetry you love.  Today, I'm using Douglas Florian's Winter Eyes as a mentor text.


 I love Douglas Florian's poetry. Winter Eyes  contains forty delightful poems covering varied winter topics students will easily relate to.  For example, examine "What I Love About Winter" and contrast it with "What I Hate About Winter."  Florian's amazing ability to spin a rhyme coupled with his charming watercolors will keep students' interest levels high.  

It's fascinating to realize the range of topics, big and small, one might explore all around the theme of 'winter.'  Poems like "Winter Borrows" teach about a variety of hibernating animals: 
 'Beneath the pond a sleeping frog
Recalls she was a polliwog
Once wiggling wild beside a log...'

Ever thought about "The Winter Sun?"  Florian has:
'The winter sun's a grumpy guy.
He scarcely gets to see the sky.
He doesn't speak.  His rays are weak...'

Popular, more typical topics are also included:
"Sled"
'First you budge 
and slowly trudge
your sled to the top and then
you speed 
you sail
you whiz
you wail
and start 
all over again." 
What fun to read the words as they climb a hill then sail down again in Florian's painting! 
I've created a packet outlining how to use Florian's enchanting poems (or any poems) to accomplish the three goals mentioned above.  Each strategy is explained in greater detail there, but I'll summarize below.  Please note:  This product will only be FREE to download for one week from today (11/27-12/4/15).  

First, as I'm sure you know, multiple rereadings of poetry has been proven by research to increase students' fluency.  How about a new way to engage students in these rereadings?  Try "Poetic Mini-Dramas:"


Students use their upper bodies, arms and hands, facial expressions, and voice to ‘act out’ a poem we’ve enjoyed through shared reading (we decide on the movements we’ll use to act out the poem together). The children receive their own copies which they put in their laps if they're seated on the floor or on their desks if seated there.  The students LOVE this kinesthetic approach to rereading poetry.



To get a better idea of this strategy, you can watch a 14 second video of a second grader doing a very short poetic mini-drama here!  Do note the JOY on this kiddo's face!
Here is an example from Winter Eyes:
‘Figure 8’   (Page 45)

“In wintertime (action: cross arms across chest, shiver as if very cold)

I love to skate (action:  make heart symbol by cupping fingers & thumbs to make a heart)

a great gigantic figure eight.”  (action:  put hands together flat and move them in a figure eight)

Poetic Mini-Dramas are not only great fun, but they are excellent vocabulary builders since students act out a variety of new and interesting words.  Additionally, if you have students perform a few along with reading poetry they've written, you have a simple, yet entertaining, program for families to enjoy!

Second, inspire students to write their own poetry by lifting a line, a sentence (or two) or a phrase from a poem.  Students simply write 'off of' this starting point.  Of course, this works best if you model it several times first while thinking aloud about your process.  An additional scaffold is to write several such poems together as a class.
Here is a student-written example from Winter Eyes:
‘What I Hate About Winter’   (Page 12)

Borrowed phrase:  “Sloppy slush”




Third, teach simple grammar by engaging in a variety of sentence play using lines or phrases from poetry.  You can always make up the language pieces you want students to use, rather than lifting them from a context, but I find it very meaningful and engaging for students to compare their sentences with the language the original author used in a poem.  I engage my students in: sentence completion, sentence rearranging, sentence mash-ups, and sentence expansion.  I model, then we take on these sentence challenges together as a class or with buddies.  The work is very interactive.

Here is an example of just one of these (sentence completion) from Winter Eyes:
From page 24:  “Freshly fallen snow _________________"  

Possible student response:

· “Freshly fallen snow covers the rooftops.” 

Possible Feedback:  “Yes, the noun ‘snow’ and the verb ‘covers’ work.  We couldn’t say ’Freshly fallen snow cover the rooftops,’ could we?  That doesn’t sound right.  Snow is one thing, so the verb needs the letter ’s’ if we’re talking about something happening right now in the present.  Like, a sled slides (one sled is sliding right now), a snowball flies, etc.  (Note: as you read, you could collect additional examples of this on a poster or in a notebook).  Now, let’s read to see how Douglas Florian used the phrase ‘freshly fallen snow’ in the poem ‘Winter Tracks!’  
 (Note:  If appropriate for your students, you can look for examples in the poem of the teaching point you made during the sentence completion exercise.  For example, the last line of this poem reads, “Inside a cubbyhole they spill.”  Point out how ‘they’ is more than one so the verb ‘spill’ does not have the ‘s.’  “Inside a cubbyhole they spills.” wouldn’t sound right, would it?  Additionally, if you’re working with older students or you’ve covered parts of speech with your kiddos, you could also ask them to read the poem again and determine what noun the pronoun ‘they’ represents.)
Students have a great time, AND, they're learning grammar without torture!

I hope you had a wonderful Thanksgiving.  It's 1:00 AM my time, and I'm worn out.  I do so love thinking about reading, writing and teaching with poetry, though.  I hope you find these ideas exciting and helpful.  By the way, I was supposed to use a 'mystery word' in my post--it's not a mystery, but here it is: scarf.  Stay warm & have fun checking out the other great posts and products!  -Janiel
Follow my blog with Bloglovin

a Rafflecopter giveaway
10

Lost Without Dots?

Our poor librarian.  She has ‘removing-Accelerated-Reader-dots-from-our-entire-library’ handitis.  I don’t know the exact number of books we have in our elementary school library, but let’s just say, there are plenty.  And, she’s tackling this enormous job all by herself.  No wonder her hand and fingers hurt.  Those dots were practically branded on those books.  Why were the dots there in the first place? Ah, yes, to help students find books on their ‘levels’ and take quizzes on them and earn points.   Yes, it’s important growing readers read a plethora of books at their independent and instructional levels so they can grow their fluency, skills and strategies, and I believe the practice of working with readers in small guided reading groups is extremely important and efficacious.  But, readers also need a balanced experience.  They need to be able to freely explore the infinite possibilities within the world of books and discover who they are as readers.

Here’s a kicker.  As our librarian has been removing dots in between running her classes this week, she’s been hearing anxious student-comments like, “What are you doing?  How will I ever be able to choose my books now?” This bowls me right over.  ‘How will I choose now?  How can I possibly navigate this world of books without the dots to help me?’  How, indeed.   Have we so limited their vision as readers that without the colored dots they have become blind?  


I literally can’t stand the thought of students having these thoughts!  Recently, my seven year old son and I were at Barnes and Noble.  When we walked in, he headed straight to the children’s section.  He got a few steps into the first aisle and stopped with a gasp, “Oh, mom!  Look at this one!  I haven’t seen this Magic Tree House title before!”  Pulling ‘Shadow of the Shark’ off the shelf, he sat down for a moment to peruse the book.  He wasted no time, tucking the book under his arm, heading further down the aisle.  Another gasp, “Oh, look, mom!  I’m just learning about this series!” He pulled a book from the Spirit Animals series from the shelf.  “Holden shared this book in class.  Characters drink a nectar and their spirit animals spawn and help them.”  About ten minutes later, after more literal gasps, ‘ewwws’ and ‘ahhhs’ (which, by the way, were delightful to observe), he had a handful of books he’d taken off shelves for different reasons, perused to different degrees, and that he wanted to read for different purposes.  Though I’m a literacy specialist, I’ve never personally tested his reading ability to quantify it in anyway, nor have I ever felt the need.  He is a reader in every sense of the word.  He does not need colored dots to lead him to books.  He knows how to navigate sections of books in a library or bookstore, he knows about different genres, authors, series, and he’s aware of his current preferences.  He’s open to the suggestions of others.  He has piles of books next to his bed and he openly discusses what he reads.


Every reader follows a different path to find themselves in love with books.  Certainly one of the steps along the way, though, must be the ability to pick books of interest without massive external guidance.  Yes, it’s definitely important to get to know our readers and give them book suggestions to help them stretch or even more importantly to help those readers who seem lost find their way.  But, let’s also teach students varied strategies for independently choosing books that will nourish them as readers and that they’ll enjoy.  Let’s help them discover their power as readers, decision makers and influencers.  In my view, we can’t get those dots pried off the books fast enough!  Let’s get the blinders off…there’s a whole library to explore!

0
Back to Top